one can choose simply to live in the mystery

24.2.13

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Luis Bunuel

All my life I've been harassed by questions: Why is something this way and not another? How do you account for that? This rage to understand, to fill in the blanks, only makes life more banal. If we could only find the courage to leave our destiny to chance, to accept the fundamental mystery of our lives, then we might be closer to the sort of happiness that comes with innocence.

Fortunately, somewhere between chance and mystery lies imagination, the only thing that protects our freedom, despite the fact that people keep trying to reduce it or kill it off altogether. I suppose that's why Christianity invented the notion of intentional sin. When I was younger, my so-called conscience forbade me to entertain certain images -- like fratricide, for instance, or incest. I'd tell myself these were hideous ideas and push them out of my mind. But when I reached the age of sixty, I finally understood the perfect innocence of the imagination. It took that long for me to admit that whatever entered my head was my business and mine alone. The concepts of sin or evil simply didn't apply; I was free to let my imagination go wherever it chose, even if it produced bloody images and hopelessly decadent ideas. When I realized that, I suddenly accepted everything. "Fine," I used to say to myself. "So I sleep with my mother. So what?" Even now, whenever I say that, the notions of sin and incest vanish beneath the great wave of my indifference.



Luis Buñuel (via)

Words should only be used when we need to delve deeper into the heart of things

21.2.13

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Robert Bresson
Words should say everything an image can't. Before having characters speak, we should examine everything they could express, with their eyes, above all with body language, certain kinds of interaction, certain ways of behaving. Words should only be used when we need to delve deeper into the heart of things. In short, ideas must be expressed on film using appropriate images and sounds, and dialogue should only be used as a last resort.
Robert Bresson

my heart beats faster as time slows

21.2.13

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twit

20.2.13

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a criatura que mantém este blog é estúpida o suficiente para começar a enfardar comida por não conseguir decifrar se está com fome ou com cólicas.
yup.

Does the cosmic space, we dissolve into, taste of us then?

17.2.13

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For our part, when we feel, we evaporate; ah, we
breathe ourselves out and away; with each new heartfire
we give off a fainter scent. True, someone may tell us:
you're in my blood, this room, Spring itself
is filled with you... To what end? He can't hold us,
we vanish within him and around him.

The Second Elegy, Duino Elegies, Rainer Maria Rilke

nos tempos livres

17.2.13

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Thomas Edison

Thomas Edison a domir a sesta (via)